Free PDF Motherhood and Representation: The Mother in Popular Culture and MelodramaBy E. Ann Kaplan
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Motherhood and Representation: The Mother in Popular Culture and MelodramaBy E. Ann Kaplan
Free PDF Motherhood and Representation: The Mother in Popular Culture and MelodramaBy E. Ann Kaplan
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From novels of the nineteenth century to films of the 1990s, American culture, abounds with images of white, middle-class mothers. In Motherhood and Representation, E. Ann Kaplan considers how the mother appears in three related spheres: the historical, in which she charts changing representations of the mother from 1830 to the postmodernist present; the psychoanalytic, which discusses theories of the mother from Freud to Lacan and the French Feminists; and the mother as she is figured in cultural representations: in literary and film texts such as East Lynne, Marnie and the The Handmaid's Tale, as well as in journalism and popular manuals on motherhood. Kaplan's analysis identifies two dominant paradigms of the mother as `Angel' and `Witch', and charts the contesting and often contradictory discourses of the mother in present-day America.
- Sales Rank: #1440199 in Books
- Published on: 1992-06-07
- Original language: English
- Number of items: 1
- Dimensions: 9.21" h x .61" w x 6.14" l, 1.18 pounds
- Binding: Paperback
- 268 pages
From Library Journal
Kaplan undertakes an enormous task of studying mother-representations in film and literature, using historical and psychoanalytic discourses. Fueled in part by her experience as a single mother and the social constraints that prohibited her from happily combining sex, work, and motherhood, she attempts to open up the mother role as only one part of a woman's total experience. She links dominant discourses to economic changes resulting from the Industrial Revolution (early modernism), World War I (high modernism), and the aftermath of World War II (postmodernism), speculating on the demise of the modern motherhood concept in the 21st century. Her careful analysis of mother themes in such films as East Lynne and Now Voyager is intriguing, but her briefer discussion of reproductive technologies, male control of women's bodies, and the displacement of the mother as subject to the fetus as person is even more compelling. Though it is not easy reading, this is scholarship at its pinnacle. For academic collections.
- Paula N. Arnold, Norwich Univ. Lib., Northfield, Vt.
Copyright 1992 Reed Business Information, Inc.
Review
"This is scholarship at its pinnacle."
-"Library Journal
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